SWEDISH design goes much further than Ikea, thanks to Swedish garden designers including award-winning Ulf Nordfjell, who is currently preparing for his forthcoming show garden at the RHS Chelsea Flower Show.

Yet it is possible to bring Swedish design to your own garden, giving it a more contemporary feel with clean lines and good use of symmetry, he says.

“Sweden doesn’t really have the same tradition as the UK in terms of its gardening. England has a much richer history with many different styles, ranging from old and traditional to extremely modern,” he explains.

“In Sweden we favour clean, simple lines and like to create the feeling of space. Most notably, Swedish gardens must be adaptable to the harsh climate, so we use materials that can cope with that such as granite, concrete, timber and steel.

“We have extreme winters and long summer days and so have to carefully select plants that can cope with these conditions.

In the summer when it stays light until late, you can go out and do your gardening at 3am.”

Sharp lines can emphasise any structures in the garden and are unusual as they are so rare in nature.

They can also draw the eye to your focal point, he observes.

“One way to do this is by pruning hedges. In the LaurentPerrier garden, I have pruned quercus hedges, which are underlined by low walls of travertine. These draw the attention to the pergola, where there is an elegant water feature.

“Water can be a great way to add character to your garden. It adds movement and you can easily build around it. You can be creative and choose a sculpture or piece of art for added interest.

“Rather than placing it centrally, French gardeners will often place statues to the side, which creates different areas of interest around the garden.”

His favourite British plants include Anemone ‘White Swan’, Iris germanica, stipa grasses and taxus (yew) hedges.

His Chelsea show garden will be a contemporary take on a romantic garden, acknowledging the heritage of the familyowned Laurent-Perrier champagne house while incorporating a modern elegance. He has chosen simple materials such as stone, wood and metal, complemented by perennials in a colour palette of soft pinks and blues, as well as creamy oranges, yellows and whites.

Perennials will be planted in blocks in different layers, including iris, viola, dianthus, stipa and verbascum in full sun and thalictrum, gillenia, aruncus and anemones in half shade. Gardens in Sweden are very focused on spring, which takes place in April and May in southern Sweden and a couple of weeks from the end of May in the north. There’s another peak of interest in mid-summer, but the focus tends to be on structural design rather than plants.

While there is more interest in perennials these days, Sweden does not enjoy late-flowering plants that are abundant in this country, says Nordfjell.

He has been inspired by many British designers, from Vita Sackville-West to Christopher Bradley-Hole, Julie Toll, Andy Sturgeon, Tom Stuart-Smith and Jinny Blom.

But among his favourites is the late Ulla Molin, a Swedish designer renowned for introducing modernism in gardening by using strong materials, soft colours and fewer, more selective plants.

His own personal favourites for each season, which are easily grown in this country and will add both colour and texture to the garden scene, include Cornus sanguinea ‘Winter Flame’ in winter; Scilla siberica, Helleborus nigra and Fritillaria meleagris ‘Alba’ in spring; Dicentra Formosa ‘Aurora’, Iris sibirica ‘Silver Edge’, Paeonia ‘White Wings’, Rosa moyesii ‘Nevada’ and Phlox paniculata ‘Rosa Pastell’ in summer; and Anemone ‘Honorine Jobert’ and Gentiana makinoi in autumn.