HOTFOOT from a tour of America, Quartetto di Cremona could be excused for appearing a little tired and jaded, but absolutely the opposite was the case.

They were fresh and relaxed and eager to play for the packed auditorium.

The excitement of the evening was twofold. One was in hearing the musical pieces and the other was hearing the sound of their wonderful instruments, ranging from the 17th century. When Simone Gramaglia’s viola was made for example, Charles II was on the throne.

The quartet opened with Hugo Wolf’s Italian Serenade. A piece which stands alone very well, it is full of contrasts, from passion to the fay and whimsical.

It was great to see a quartet play with such precision and feeling, a combination not often found.

The serenade was almost an appetiser of what was to come.

Tchaikovsky’s Quartet in D major Op. II was the highlight. The musicians had relaxed into the evening and played standing, which meant there was more movement and emotion on stage. In this, the worth of antique instruments became apparent. The evening became alive with the most beautiful rich sound.

The finale was as it should be, bright and breathless, pausing occasionally for a little gentle sparring between the instruments.

The theme of contrast, light and shade, gentle teasing and brash statements continued into the final piece Johannes Brahms’ Quartet in A minor Op. 51 No 2. It left the audience wanting more, which they got in a much cheered encore.

Richmondshire Subscription Concerts is in its 68th season and the quality of musicians it attracts gets stronger and stronger. This was a fabulous night, on the face of it quiet and unassuming, but the quality roared through. The next concert is on November 28 at 7.30pm featuring O Duo.

Amanda Adams