DARLINGTON Piano Society’s 20th season got off to a flying start with a stimulating performance by this young Hungarian pianist.

J S Bach’s Partita No. 1, BWV825 immediately impressed with fleet finger work in the outer movements, contrasting with the delicacy of the first gentle Menuet, and with the difficulties of the final Gigue clearly posing no problems.

Brahms’ Three Intermezzi, Op.117, were played straightforwardly with no unnecessary emphasis, making these soothing and poetic pieces particularly effective.

In a change to the programme, though sorry not to hear Ravel’s Jeux d’eau, I think Chopin’s Etude in B minor, Op. 25, No. 2 provided a better contrast and a more dramatic way to end the set, especially when played with such a concentrated flourish.

For the second set, in the imperious opening of Beethoven’s last Sonata in C minor, Op.111, the piano sounded quite resonant at first, possibly due in part to the refurbished hall which currently has no carpet or curtains.

But it was also part of a thoughtful interpretation which included tempos which were subtly varied for greater effect.

The second and final movement was also suitably measured, perhaps starting more slowly than usual, allowing the themes to come through more clearly.

The gradual climbs and retreats were very effective and the following cascade strong and powerful, leading to a beautiful shimmering effect, magnificently controlled, before the final transcendental calm.

In the next recital on November 15, Grace Yeo will play Debussy, Glazunov and Liszt. Details at dpiano.co.uk.

Peter Bevan