THE opening night of this production by Richmond Amateur Dramatic Society was certainly a merry affair.

This grand tale of deceit, frivolity and revenge was for the most part fast-paced and had a few surprises thrown in. Directed by Gary Winn, with a simple but effective stage design, there was a lot to enjoy.

With Shakespeare’s play first printed in 1602 and performed in a theatre built in 1788, it would be easy to imagine it has little relevance to today’s world.

However, with a few tweaks, it remains as fresh and bright as ever. The addition of a 1920s' theme music during stage changes and some great costumes made it was exactly what it should be – light and fun.

The play is set in Windsor and projections on to a screen added to visual effects.

The cast warmed to the piece as the evening moved on, and in the second half were clearly more relaxed and having a jolly time of it.

Among the leading performances, Alice Johnson was sharp and twinkly. Gregan Davis was a delight as Sir Hugh Evans, as was Robert Capon as Master Fenton. Mike Walker was a hoot as Sir John Falstaff, with excellent comedic timing.

All in all, RADS should be proud of themselves, from Jim Brown keeping things sharp with the sound and lighting to Alex Caffrey’s stage management.

The surprise in store at the end was an unexpected delightful song and dance finale with a couple of fine voices shining through. The setting was apt and the performance fun.

Amanda Adams