ON MIDSUMMER'S eve, the clouds lifted on the magnificent setting of Ripon Cathedral where Ripon Choral Society, under the skilful direction of John Dunford, cemented its reputation as one of the country’s leading choirs.

In an interesting departure from the standard repertoire, a number of well-known spirituals found creative expression in a cohesive and exciting programme. The first half consisted of Sir Michael Tippett’s 5 Spirituals from his Oratorio A Child of our Time and John Rutter’s Feel the Spirit.

In both, the choir demonstrated remarkable ensemble for a chorus of this size, especially noticeable in the quieter passages. The unaccompanied Tippett adds incisive rhythms to well-known tunes which are distinctive and compelling.

Rutter’s delightful orchestration added a different dimension to another series of spirituals. The choir showed its versatility, ranging from jazz style to some beautifully expressive passages and other rhythmic sections, all superbly controlled.

This was complemented in the Rutter by the wonderful warm, sonorous tones of Lynda-Jane Nelson, mezzo-soprano.

The first half could not have provided a better prologue to Max Taylor’s I Have a Dream. Dunford’s close association with this work from its inaugural performance in Sheffield in 1990 was evident.

As ever, the choir was superbly responsive to the moods of Martin Luther King’s famous speech made in 1963. Terence Ayebare as the narrator and bass soloist was magnificent in his profound interpretation.

The choir was ably supported by other soloists Andrea Ryder, soprano, and Stephen Newlove, tenor, and the excellent Orchestra Pro Musica.

It is a tribute to John Dunford and his rapport with this 170-strong choir that he can deliver such a memorable and moving performance and bring such a striking programme to Ripon.

MJC