Olga Stezhko, Central Hall, Darlington

FOR this return visit for Darlington Music Society, the Belarusian pianist presented an intriguing and wide ranging recital beginning with Brahms’ Six Piano Pieces, Op. 118.

These contrasting works began with a passionate Intermezzo, followed by a rather touching one and then a Ballade with a somewhat boisterous start.

Another Intermezzo began quietly, becoming more flowing and then a curious, perhaps not entirely settled Romanze before a final darker and thoughtful Intermezzo which ended quite emotionally.

Prokofiev’s Sonata No. 4, Op. 29, written only a few years later, seemed a much bolder piece.

Although its first two movements are more subdued, the third brought a more obviously virtuosic and upbeat conclusion to the work especially in such a confident performance.

The second set took us right back to one of Mozart’s perfectly formed and balanced later Sonatas, K570, with the pianist demonstrating some nimble finger work and a suitably lighter touch.

Another stylistic jump brought us Ravel’s Pavane pour une infante défunte with its aura of stateliness and some lovely tones.

Liszt’s challenging concert study Un sospiro was followed by one of Scriabin’s last pieces, Vers la flame.

Moody and atmospheric at first, it became increasingly fast and complex before a brief, almost sudden ending.

The Society’s next concert on March 14 will feature violinist Adelia Myslov and pianist Maksim Stsura in a programme including Bach, Beethoven, Brahms and Ravel; details at dms.btck.co.uk or 01325 467163.

Peter Bevan