JON Middlemiss, best known for his ceramics, turned to painting to trace the journey along the Drover's Path taken by his father when walking sheep to market in Kilnsey or Kettlewell.

Born in Nidderdale on a hill farm, he has been painting for a number of years as well as exhibiting pots, and his pictures follow the route over the wild windswept peat and heather moors out of Nidderdale and down into the more gentle landscape of walls and fields which define upper Wharfedale.

He worked in the landscape, sometimes erecting a good-sized tent and staying there for some weeks. Sometimes he worked just for a day or two and then returned to his studio to complete the canvas.

His media choices reflect the geology of the changing scenery. For paintings the wild rough moorland, he uses oil on canvas with found materials, for the most part fine pebbly grit, on blocks of strong colours and shapes.

As he reaches the change in geological features, there are three powerful oils depicting waterfalls, each entitled Spate. For the softer fells of Wharfedale, he turns to pastel and conté on watercolour paper.

There are several small studies of trees in morning or evening light.

Humans do not figure. Only in walls and barns do we see a hint of man's shaping of the landscape, with just a couple of farm gates in a pastel of a tumbledown wall in Conistone.

Once we see a footprint, but never the drover, nor his path, simply the views he would see as he walked over the hills and down into the market at his journey's end.

The exhibition continues until Wednesday.