DAMMIT. What a waste. Just when Scottish Opera, a company always in

need of a little good news, look as though they have a rewarding

showcase item in the Edinburgh Festival, someone pulls the plug on them.

The showcase was Tchaikovsky's opera, The Oprichnik -- a real rarity,

not a dramatic masterpiece, but with some absolutely splendid (and

unmistakeable) music. Here and there a very impressive piece: some

superb choral crowd scenes, which would be worth seeing staged; glorious

writing for the soprano soloist, and at least one arguably great duet

and some typically colourful orchestral writing.

The plug-puller was the Russian tenor, Paolo Kudriavchenko. He was

obviously in trouble from the outset. After half-time the festival's new

associate director, James Waters, came on to explain that the singer had

a throat infection. Frankly, I suspect there was more to it. The sound,

much of the time, was excrutiating; but the singer was ill at ease

throughout the night.

He was patently lost, shuffling through his score, in this heavily

abridged version; asking his neighbours where they were in the music;

and -- most suspiciously -- sounding, with that unmistakeable sense of

uncertainty, as though he was sight-reading. It was a fatal distraction.

As I said, what a waste. Otherwise, well cast with several singers --

notably soprano Galina Gorchakova and mezzo Ludmila Nam (enormous

voices) -- in stunning form. Conductor Mark Ermler failed to tame the

ScotOp brass which, unleashed from the pit, went bananas, frequently

drowning out the sonorous chorus. Super piece; any chance of a rerun

sometime?